Do not add filler information learned from the internet, and do not give value judgements or critiques of the works.

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Please choose three works from our materials as contrasting examples. Try to define “fragmentation” in three different ways, as exemplified by the three works you choose to write about. At least two of your examples should be works of music. Try to be as specific as you can about the exact ways in which the artistic substance is fragmented, describing this process as best you can, in the vocabulary that is available to you.
Do not add filler information learned from the internet, and do not give value judgements or critiques of the works. Write as concretely as you can, and point to specific features of the artworks, however detailed or small, to buttress your statements.
F. T. Marinetti, “The Futurist Manifesto” (1909)
https://arthistoryproject.com/artists/filippo-tommaso-marinetti/the-futurist-manifesto/
Erik Satie: Cinema Music from Relache (1924)
http://www.ubu.com/sound/satie_conceptual.html
George Antheil, “Ballet Mécanique” (1924)

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